At minimum, it’d fit the Buchla emulation. Pigments remains the only Arturia softsynth which supports it. What I find the most disappointing, though, is that they didn’t expand MPE to other synths in the lineup. But they expect that people pay a significant upgrade price every year, which puts the subscription model in perspective (e.g. Yes, Arturia offers steep discounts twice a year (one of those just ended a few days ago). So pricing remains a key issue to keep in mind. Not quite a pricewar but $29 is the new $150. They also added a new general preset system with a few built-in presets to help you explore different sounds.Some major shifts in softsynth and plugin pricing have started.

New preset system - Acousticsamples decided to add the two main presets for A# and B that control two virtual sets of drawbars.The voicings really vary a lot from one model to another. Improved Pedalboard simulation - Acousticsamples have modeled 4 different pedalboards for which each drawbar controls a certain frequency combination.If your controller is not in that list, just use the new MIDI learn function to assign any element to the controller of your choice. Complete MIDI integration - Acousticsamples pre-mapped some of the most used Organ controllers like the XK series, the Clavia controllers (Nord stage, C series, electro and C2D), the Mojo, the B4D, the HX3 and a few others.

There is basically one main control that is similar to the volume knob you can find on a 122 and you can play with the volume pedal to get more or less saturation while playing.

Completely reworked Tube Saturation - The tube saturation now follows the exact behavior of the real Leslie 122 tube saturation.

And as every B-3, C-3 or A-100 is unique, Acousticsamples now offer 4 different organ base tones, each with their own voicing and signature sound.

Refined Organ model - Everything has been revised, the click sound, the measurement of the real voicing, the percussion curves and Acousticsamples simulated a few real electrical behaviors like the voltage stealing and the loudness robbing that play a very important part in the sound of the organs.

You now get the sound of the Leslie 122, 147 or 3300 and all of them with a variety of microphone placements and many controls over them. UVI came up with a new Leslie Emulation, and Acousticsamples adjusted it even further to fit the sound of the different Leslie models they recorded.

New Leslie emulation - Acousticsamples have been working with UVI again and provided them with a lot of measurements on their Leslie 122.

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